首页> 中文期刊> 《巢湖学院学报》 >同归异途--鲁迅、莫言小说的“还乡者”分析

同归异途--鲁迅、莫言小说的“还乡者”分析

         

摘要

野五四”时期,鲁迅先生开创了中国文学的“归乡模式”,“新时期”,莫言又为“还乡”小说注入了新的血液。而“还乡”小说的关键因素---“还乡者”作为“还乡”意蕴的承载体,在两位作家的笔下却有着很大的差异。透过对两代代表作家同主题同形象差别的分析,我们不仅可以发觉作家寄予在人物身上的精神探索,更能发现两个时代之间,知识分子思想变迁的一丝轨迹。%In the "May 4th" period, Lu Xun created "homecoming pattern" of Chinese literature, and in the "new period", Mo Yan injected new blood into the homecoming novel. The returner as the key factor in the homecoming novel which bears the significance of the novels, in the description of two writers has a lot of differences. Through analyzing differences about the representative writers of two generations in the same theme and image, we can find the spiritual exploration which the writer places on characters, and more can be found between the two times for a trajectory of intellectuals thought change.

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