在元杂剧中出现了一系列的道姑形象，与传统的道姑不同，她们多情聪明，充满了世俗情欲，思凡恋世，有时还担任着做媒的任务。这些道姑形象的出现，与元代开放、宽松、多元的文化环境，世人对女子的态度，当时的女子无力自谋生活以及创作者要满足当时市民的审美趣味有关。这些道姑形象推动了故事情节的发展，丰富了元杂剧的人物群像，对后世的小说戏曲还有一定的影响。%In Yuan Drama, there appeared a series of Taoist nuns images, which are different from tradi-tional ones. These Taoist nuns in Yuan Drama are passionate, smart, with secular lust and real love. sometimes they even served as matchmakers. The reason why these phenomenon appeared in Yuan Dram is not only because the opening, loose and multicuhural environment in Yuan Dynasty, but also the peo- ple's attitude to them. And the fact that woman cannot make a independence life as well as the creators to satisfy the public aesthetic interest are also the reasons to this phenomenon. These images not only pro-mote the plot development, enrich the characters of Yuan Drama, but also effect the later novels and dra-mas.
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