首页> 中文期刊> 《东莞理工学院学报》 >历史转型期漂泊主体的悲剧性生命交响曲——评刘第红长篇小说《漂泊》

历史转型期漂泊主体的悲剧性生命交响曲——评刘第红长篇小说《漂泊》

         

摘要

Under the special background about historical transition period, the novel Strays by Liu Dihong depicts a tragedy on the young rovers who came from countryside. On one hand, the novel shows living situations of countryside and the ideological concept of countrymen in that period. On the other hand, it manifests that rovers confronted a series of dilemmas resulted from identity-conflict, value-conflict and love-conflict. In addition, the author structures the novel with existentialism philosophy. Through the description of rovers' material and immaterial aloneness, insignificance on searching, and being homeless, the book opens out the tragic result about wandering. In fact, this novel is an ironical novel whose real intention rests with the author's concern to the migrant workers.%刘第红的长篇小说《漂泊》在改革开放这一特殊的历史转型期背蒂下,书写了由一群乡村青少年构成的漂泊主体进城打工的悲惨遭遇。它一方面本着现实主义精神还原了当时的农村生活境况以及农村人民的思想观念,另一方面又在文化层面上揭示出了由身份认同冲突、价值判断冲突、爱情抉择冲突造成的漂泊主体所面临的困境。此外,刘著在总体上又以存在主义哲学思想建构整部小说,它通过表现漂泊主体在肉体和精神上的双重孤独感以及漂泊主体的寻找无果和无家可归,最终阐释出了漂泊的悲剧性意义。实际上,刘著是以反讽的手法探索漂泊生涯的真正意义,它的真实意图在于唤起人们对进城打工的漂泊主体的认同和关注.

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