Suffering, the symbol of the real life, the connection of the mental and physical, shows the tragedy narrative mode and the relation of social cognition. Suffering demonstrates not only the real life and the phenomena of humanity but also Gui Zi＇s ontology reflection of the real life, humanity and the relationship between them. Based on this, Gui Zi＇s creation theory is wholly constructed in the aspects of writer＇s demand, work＇s depth and reaction social request.%苦难作为鬼子小说创作的主要对象涵括了现实生活表征、人性灵与肉的交锋融合,凸显出以人为中心的社会认知关系和惯用的悲剧化叙事范式。苦难不仅是社会现实生活、人性的现象性呈现,更是鬼子对社会现实生活、人性及其二者关系的本体论思考。以此为基础,鬼子＂爆发力＂创作理论在作者要求、作品深度及创作社会诉求等方面得以全面建构,显现了鬼子小说立足于地域、民族基础之上的、普泛的世界性意义。
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