亚里士多德的《诗学》在美学和其他领域都占据重要地位。就现有流传的版本内容来看，亚里士多德在《诗学》中重点介绍了史诗和悲剧，其中“悲剧”更是他这部著作中的重中之重。由于历史的变迁，古希腊的众多专业术语如今已鲜有准确对应的词汇，这为古希腊经典著作的解读带来重重困难。《诗学》同样如此，作为一本独创性的著作，它受到特别的关注和评析。一直以来，《诗学》重点阐释的“悲剧”究竟包括怎样的内容，如何理解亚里士多德文本中的“悲剧”，学者们争论不休。文章在这些争论的基础上，试图从“模仿说”出发把握亚里士多德《诗学》中的悲剧理论。%Aristotle’ s“Poetics” plays a very important role in the domain of aesthetics and other fields,in which epic and tragedy are introduced where “tragedy” is of the core impor-tance. Due to the change of history, many terminologies are lack of equivalent counterparts. This makes it more difficult to interpret the ancient Greek classics. A main research focus is what “tragedy” should include and how to interpret which is also an arguable subject. It at-tempts to explore the tragedy theory in “Poetics” from the perspective of “imitation theory”.
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