The Yingchengzi Eastern‐Han mural painting mausoleum has attracted a wide academic attention since it was found in 1931 and the most significant aspect of it is the “daoyinshengtian”drawing located on the north wall ,whose appearance has revealed the mysterious phenomena of the Eastern‐Han mausoleum mural painting in North China .The prevalence of Eastern‐Han mural painting mausoleum was deeply con‐nected with history ,the content of the paintings was also associated with the social background and the i‐deal perception .These tombs embody the concepts of immortal soul ,seeking for immortality and becom‐ing caries .Archaeology proves that these ideas emerge as early as the primitive society and prevail in War‐ring States period .It’s unfair to consider that the Mural Painting in Han Dynasty tombs are the direct re‐flection of superstition and prophecy ideology .This paper introduces the burial customs and the social ideology that had dominated the upper level society by analyzing the Yingchengzi Eastern‐Han mausoleum mural paintings .% 营城子东汉壁画墓自1931年发现以来，受到学术界广泛关注，尤以主室北壁所绘“导引升天图”最具价值，它的发现揭开了北方地区东汉墓室壁画的神秘面纱。汉代壁画墓的盛行有着深刻的历史渊源，壁画内容也与当时的社会背景及思想观念密不可分。营城子汉墓壁画所体现出的灵魂不灭、追求长生不死、幻想羽化成仙思想，考古发掘证明早在原始社会的中后期就已产生，这一思想直到战国时期开始盛行。认为营城子汉墓壁画是“谶纬迷信思想”的直接反映，似乎有失偏颇。通过分析营城子汉代墓室壁画，透视汉代社会的丧葬习俗和当时占据统治地位的社会思想。
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