首页> 中文期刊> 《南通大学学报(社会科学版)》 >人类声乐艺术视阈下民族唱法的多维融合

人类声乐艺术视阈下民族唱法的多维融合

         

摘要

基于文化自信和文化自觉,从人类声乐艺术视阈下促进我国民族唱法的多维融合,需要追本溯源,准确地分辨出民族唱法与原生态唱法、美声唱法、戏曲唱法的区别.对声乐艺术范畴中原生态、民歌、美声、戏曲等问题,可从文化渊源、文化类别以及文化多元的融合维度上,作出探索性的思考.中国唱法是人类声乐艺术的文化瑰宝.我们要在传承中国唱法上,有所守成和坚持,有所发展和创新,在"坚持创造性转化、创新性发展"中,为人类声乐艺术作出更大的贡献.%Based on cultural confidence and cultural awareness, we need to seek for the origins and sources and dis-tinguish between folk-style singing, the multi-dimensional merge of folk-style singing, primitive singing, bel canto and op-eratic singing, so as to promote the multi-dimensional merge of folk-style singing from the perspective of vocal arts. Based on cultural origin, cultural types and cultural pluralism, this paper probes into issues like primitive singing, folk-style singing, bel canto and operatic singing of vocal arts. We should both inherit and innovate Chinese-style singing, so as to make contributions to vocal arts.

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