首页> 中文期刊> 《南通大学学报(社会科学版)》 >后现代艺术荒诞情结的双面性

后现代艺术荒诞情结的双面性

         

摘要

后现代艺术最典型的特征是其荒诞情结的双面性。一方面,后现代艺术高扬感性主体,崇尚自我意识,它所代表的是反理性反科学的艺术原则;另一方面,后现代艺术在实践中又从未摆脱科学的理性精神。后现代艺术试图推倒一切艺术的审美原则,但事实上它们在否定一切传统美学基础上,又重新建构起自己的荒诞美学范畴。对于后现代艺术的荒诞情结的双面性,我们既要看到它表面上的非理性、滑稽与荒谬等诡异表象,又要看到它深层次的理性的、严肃的思考。%The most typical feature of post-modern art lies in the duality of its absurdity complex. On the one hand, post-modern art focuses on rational subjects and lay emphasis on self-awareness, and it represents the artistic principle of anti-ration and anti-science. On the other hand, it cannot get rid of rational spirits in practice. It endeavors to overthrow all the aesthetic principles of arts, but constructs its own absurd aesthetic category on such base. To probe into the duali-ty of the absurdity complex in post-modern art, we should take into consideration its facial irrational, ridiculous and ab-surd facts, and should focus on its rational and serious thoughts.

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