首页> 中文期刊> 《南通大学学报(社会科学版)》 >歌唱颤音的基本特征及其运用

歌唱颤音的基本特征及其运用

         

摘要

Trill in singing is one of the significant techniques in acoustic arts, and it can reflect the musical training and artistic construction of the performers. An excellent trill is the rhythmical beats of pitches along with volume and tone. Various factors beat at certain rate within a certain range, which makes the musical sounds both smooth and plea-sure. Trills originate from the inner rhythms of one’s emotions, and are the outer physical expression of the performer’s psychology. To master such a technique, we should strengthen the cultivation of hearing ability to music, the imitation of trills, the guidance of visions and kinesthesis, the control of moods and emotions and the control of rate and range. Only with the coordinate functions of all vocal systems can we produce intoxicating trills.%  歌唱颤音是声乐艺术中的重要技术之一,更是反映演唱者音乐修养和艺术构思能力的要素。良好的自然颤音是一种音高的搏动,一般伴随着音量和音色的同步搏动,各类因素以一定的幅度和速率搏动,从而使乐音听起来流畅柔和、丰满圆润,更加悦耳。歌唱颤音源自于内心情感律动,是演唱者心里意识的外在生理反应,并自始至终都影响着唱颤音技巧与情感的发生和发展。掌握与运用歌唱颤音,必须加强音乐听觉能力的培养、歌唱颤音的模仿学唱、视觉与动觉的诱导、情绪与情感的调控、颤速与波幅的控制。只有实现各发声系统的协同作用,才能产生美好的歌唱颤音。

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