Li He's inclination and reversion to the "palace-style" poetry is closely related to his novel artistic spirit.During the great changes occurring in the Yuanhe Era, relying on a keen intelligence and sensibility of art in keeping up with the artistic spirit of yearning for change, Li He absorbed the antithesis, the allusions, the polishing skill of words and sentences, the scenery-portraying skill and the highly sophisticated artistic language from the "palace-style" poetry.Beside the five-word poetry, the seven-word poetry of the "palace style" was also adopted and developed by Li He.Meanwhile, drawing upon Li Sao (离骚), literally "Encountering Sorrow" and the folk songs of Yuefu (乐府), a poetic genre prevalent during the Han Dynasty, and the ancient ballads of the Northern and Southern Dynasties, Li He finally formed his unique artistic style of novelty and rhetoric feature.The poetic personality, the achievements and defects of Li He's poetry are all closely related to his learning of the "palace-style" poetry.%对齐梁诗尤其是宫体诗歌艺术体制的接受是李贺诗歌创作中的一个重要问题.当元和诗变之际,以穷力追新的艺术精神和修辞之美为深层契合点,李贺充分汲取了宫体诗的对仗、用典和琢字炼句、写景造境技巧以及高度精巧化的语言艺术,以破大历之熟习、元和之浅近.五言徒诗与乐府两体之外,方兴于梁陈宫体作家群而未能充分发展的七言歌诗一体也在李贺手中再次得到新的发展契机.同时,又能与《离骚》、汉乐府古歌谣、南北朝民歌的多方学习相融合,形成了"词诡调激,色浓藻密"的艺术风貌.
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