首页> 中文期刊> 《内江师范学院学报》 >张大千书法艺术的美术性阐论

张大千书法艺术的美术性阐论

         

摘要

The"Daqian Style"Calligraphy and the grand free-hand brushwork of Zhang Daqian's"ink-splash landscape"are the combination between his technique and feelings.His artistic aesthetic value is in line with the traditional Chinese calligraphy and painting, and closely related with them.Therefore, when appreciating Zhang's works, we have to go beyond that and put his calligraphy and painting in equally important position.Starting from his calligraphic features, this paper has analyzed the fine art characteristics in his calligraphy, i.e.sticking to his interest in calligraphy and painting which share some principles in creation, being vigorous and fluent, image under the free-hand brush as the tenor of the landscape, and expression of his artistic conception by thin lines.%张大千先生"泼墨云山"的大写意画风与碑帖相融的"大千体"书法都是其技法与情感相结合的产物.他的艺术审美价值与中国传统书画相融相通、密不可分.因此, 在欣赏大千先生的墨宝时, 不应就书法论书法, 或谈绘画而忽略书法, 而是要同他一样将书法与绘画等量齐观.本文从大千先生书法艺术的特点入手, 并结合中国传统绘画精神来阐释张大千先生书法艺术中的美术性, 即"书画同一, 坚守古趣""刚健如山, 流丽似水""写意之象, 山水之境""骨法线形, 抒写气韵".

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