Before the lifting of martial law , due to the special confrontation and segregation between the Mainland and Taiwan ,the literary works of writers in 1930s have been restricted into the forbidden zone for a long time , which resulted in the introduction and criticism of these works being misunderstood . Their true connotation can not be interpreted , because of deeply political influenced . This is not only a chaotic because of the hostility between Taiwan and Mainland , but a loss of mutual cultural development . Although the forbidden and misunderstanding zones have become a passing memory during the historical fighting process between Kuomintang and the Communist Party , it cannot be eliminated from the literature history . This paper discusses the creation motive and writing position of 1930s writers , and analyzes the reasons of them being misunderstood and the strategies of misunderstanding their works under special political atmosphere in Taiwan by studying several literary books under the name of 1930s writers , including An Introduction to Chinese Writers in 1930s by Ding Wang , Chinese Writers from 1920s to 1930s by Su Xuelin , A Critical Review of Chinese Writers in 1930s , A Face book of Chinese Writers in 1930s by Jiang Mu ,A Review of Chinese 1930sWriters by Chen Jiying ,Chinese1930s Writers I Knew by SunLing,1930s Chinese Literary World and The League of Leftist Writers by ChenJingzhi.Duetothe distortions and obstacles of misunderstanding , understanding is therefore valuable .%解严之前，因着两岸特殊的对峙与隔绝限制，1930年代作家作品在台湾不仅长期列入被遮蔽的“禁区”，无法自由接触和阅读，连带着也使相关的介绍与研究陷入被扭曲的“误区”，蒙上一层政治色彩而无法拨云见日，还原本来面目。这是两岸“敌对状态”下的一个乱象，也是双方文化发展的一大损失。虽然禁书与误读已然成为国共斗争历史过程中逐渐远去的记忆，但它也已深刻地成为文学史不能抹煞的一页。它的存在，本身就是文学史的一部分。以台湾“三十年代作家”为名出版的多部著作为切入点，彰显这些作者对三十年代作家的研究动机、写作立场，并分析三十年代作家在台湾特殊的政治气氛、文艺政策下被“误读”的原因、被“误读”的策略，从而体认到，正因为“误解”的伤害与重重障碍，才更显示出“理解”的必要与难能可贵。
展开▼
