运用传统美学和现代艺术学的理论对“武术意境”展开讨论。研究认为：(1)“武术意境”是通过特定的武术形象而诱发出的一种境界和情调，是构建在独特的、艺术化的武术形象之上的艺术体验，并以一种情感体验的方式存在于观赏者的主观意识中。(2)“武术意境”源自“情”与“景”的交融。“情”所指向的是拳家们作为实践活动的主体所拥有的体验、思想、理想、情趣等方面的总合；“景”是指观赏者对武术这一审美客体观照之后而产生的艺术化的联想或想象。(3)“武术意境”源自“虚”与“实”的创构。“实境”是演练者用肢体的运动所创造出的一个个具体而生动的武术形象；“虚境”是观赏者对武术“实境”进行主观想象的结果。(4)“武术意境”为审美主体展现了充满审美想象的艺术空间，是体现武术艺术价值的高级形态，是武术艺术性存在的显著标识。%The authors discussed“Wushu scenario”by applying theories in traditional aesthetics and modern arts, and put forward the following opinions:1)“Wushu scenario”is a scene and mood induced by particular artistic images;it is a sort of artistic experience built based on unique, artified Wushu images, and exists in the subjective consciousness of the spectators in a way of emotional experience;2)“Wushu scenario”originates from the blending of“emotion”and“scene”;“emotion”refers to the totality of experiences, thoughts, ideals and fun possessed by boxers as the subject of practical activities;“scene”refers to an artified association or vision produced by the spectators after they have viewed such an aesthetical object as Wushu;3)“Wushu scenario”originates from“virtual”and“real”construction;“real sce-narios”are specific and vivid artistic images created by performers through body movement;“virtual scenarios”are the results of subjective imagination conducted by the spectators on“real scenarios”of Wushu;4)for the aesthetic subject“Wushu scenario”presents an artistic space full of aesthetic imagination;it is a superior form to embody the artistic value of Wushu, and a conspicuous sign to show the artistic existence of Wushu.
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