首页> 中文期刊> 《四川民族学院学报》 >歌剧《假面舞会》中雷纳托一角的性格及演唱分析

歌剧《假面舞会》中雷纳托一角的性格及演唱分析

         

摘要

歌剧是一门舞台表演艺术,它主要或完全以演唱和演奏的方式来表达戏剧作品,涵盖音乐、文学、戏剧、舞蹈、舞美等多种艺术元素,使相对枯燥的文字得以升华。排练和出演歌剧对声乐专业学习者和从业者的歌唱技巧、情感表达、舞台表演、音乐修养等的磨练和提高具有不可替代的作用。歌剧表演首先要求演员必须具备较高的演唱水平,其次是对剧情和所演角色的准确理解和感悟,这就要求我们必须对歌剧剧情和所演角色的性格及演唱做出仔细的分析,才能更好的服从剧情和准确表达出人物的情感。本文以意大利歌剧《假面舞会》里的雷纳托一角为例,对人物性格和演唱等做出简要分析。%Opera is a comprehensive performing art , which expresses dramatic works in playing musical instruments and singing performance .Opera covers music, literature, drama, dance and other artistic el-ement , thorough which the relatively dry text can be sublimated .Rehearsals and opera play an irreplace-able role in the cultivation and improvement of vocal music professional learners and practitioners singing skills, emotional expression, stage performance, music training and so on.First, the opera performance requires the actor to have a higher level of singing , followed by the drama and the role of the accurate un-derstanding and perception .Thus this requires that we must analyze the characters , plots of the opera drama , even the singing;only in this way can we understand the plots and emotion of the characters ac-curately.Therefore, this article takes Renato in the Italy opera "Un bal o in maschera"as an example;makes a brief analysis on its character and singing skills .

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