台湾国光剧团在王安祈带领下进行京剧艺术的改革创新，努力争取年轻观众。国光剧团从增强京剧的文学性入手，赋予京剧以现代的思想内涵，以期引起年轻人的理解、认同和思考。改革创新京剧的思想内涵，同时也意味着编剧方法及舞台和剧场形式等的一系列创新。国光经验为大陆京剧探索改革发展道路提供了宝贵借鉴。%Taiwan Guoguang Troupe has been innovating Peking Opera under Wang Anqi to build a young audience. It introduces modern concepts to Peking Opera by enhancing the literariness in its performance to appeal to young people and help them understand and learn to appreciate the art. Reform of the ideas and content of the opera has also brought about changes of script creation and stage performance. Guoguang experience provides a valuable reference for reform and development of Peking opera in Mainland China.
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