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《汉书·艺文志》研究三札

         

摘要

There is no method of Meng Sheng in the category of Yi Jing and so on in Han Shu Yi Wen Zhi.The books of the category of Yi Jing, however, were divided in the form of different categories, with each category being named by a signature masterpiece. Accordingly, related books can be recorded according to various names of the categories. The book Tai Shi Gong which has only four pieces repeats the corresponding parts of the book Tai Shi Gong which has one hundred and thirty pieces in the category of Chun Qiu. Also, instead of being recorded by the method of Bie Cai, the former was mistakenly recorded in the category of Chun Qiu by Liu Xiang, then succeeded in the same category in Qi Lue by Liu Xin. The name of the book Ke Zhu Fu, recorded in the category of Shi Fu Lue, has lost a word Za. Similarly, the name of book He Nan Zhou Ge Sheng Qu Zhe, recorded in the category of Ge Shi, has lost a word Shi.%《汉书·艺文志》之《易》类等并无“蒙省”的著录方式,《易》类是以类别划分的形式进行著录的,每一个类别都以标志性的书籍或书籍体裁为类名,并围绕着这一类名著录相关的书籍;《春秋》类著录的《太史公》4篇与《太史公》130篇中的相应之篇有重复,这4篇的著录不是“别裁”,而是刘向误著录于《春秋》类中的,然后再被刘歆著录于《七略》之《春秋》类中;《诗赋略》杂赋类著录的《客主赋》的题名脱一“杂”字,歌诗类著录的《河南周歌声曲折》的题名则脱一“诗”字。

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