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阿里岩画中的原始法鼓考

         

摘要

在阿里地区,有不少反映苯教早期活动的岩画,其中塔康巴岩画点与任姆栋岩画中物左手抓执“圆形物”应为“单面抓执式皮鼓”。通过将之与多种少数民族皮鼓以及其他区“单面抓执式皮鼓”典型特质的比较研究,有助于我们了解苯教早期的活动形态,同时可以见苯教原始法鼓的源流与演化路径。%In Ngari Prefecture,there are quite a few cliff paintings that reflect the early activities of bon the original religion,among which there are Takangba cliff painting and Renmudong cliff painting.In the two paintings,the “round objects” held in the left hand of the figures are proved as “single-side rabbing leather drum” by this article.To compare it with various kinds of leather drums of the ethnic minority and “single-side grabbing leather drum” in other areas in their typical,we could understand etter about the early activities of the original religion,and get a glimpse of the source and evolution ath of the ancient Dharma drums of Bon,the original religion.

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