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Rapid Interhemispheric Switching during Vocal Production in a Songbird

机译:鸣禽声乐制作过程中的半球间快速切换

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摘要

To generate complex bilateral motor patterns such as those underlying birdsong, neural activity must be highly coordinated across the two cerebral hemispheres. However, it remains largely elusive how this coordination is achieved given that interhemispheric communication between song-control areas in the avian cerebrum is restricted to projections received from bilaterally connecting areas in the mid- and hindbrain. By electrically stimulating cerebral premotor areas in zebra finches, we find that behavioral effectiveness of stimulation rapidly switches between hemispheres. In time intervals in which stimulation in one hemisphere tends to distort songs, stimulation in the other hemisphere is mostly ineffective, revealing an idiosyncratic form of motor dominance that bounces back and forth between hemispheres like a virtual ping-pong ball. The intervals of lateralized effectiveness are broadly distributed and are unrelated to simple spectral and temporal song features. Such interhemispheric switching could be an important dynamical aspect of neural coordination that may have evolved from simpler pattern generator circuits.
机译:为了产生复杂的双边运动模式,例如潜在的鸟鸣,神经活动必须在两个大脑半球之间高度协调。但是,鉴于禽脑的歌唱控制区之间的半球通信仅限于从中脑和后脑的双边连接区域收到的投影,因此如何实现这种协调在很大程度上仍然难以捉摸。通过电刺激斑马雀科的脑前运动区,我们发现刺激的行为有效性在半球之间快速切换。在一个半球的刺激趋向于扭曲歌曲的时间间隔中,另一半球的刺激大多无效,这揭示了一种特殊的运动优势形式,就像虚拟的乒乓球一样在半球之间来回弹跳。横向有效性的间隔广泛分布,与简单的频谱和时间歌曲特征无关。这种半球间切换可能是神经协调的重要动力学方面,而神经协调可能是从更简单的模式生成器电路演变而来的。

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