首页> 美国卫生研究院文献>Molecules >Deepening Inside the Pictorial Layers of Etruscan Sarcophagus of Hasti Afunei: An Innovative Micro-Sampling Technique for Raman/SERS Analyses
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Deepening Inside the Pictorial Layers of Etruscan Sarcophagus of Hasti Afunei: An Innovative Micro-Sampling Technique for Raman/SERS Analyses

机译:深加工Hasti Afunei的伊特鲁里亚石棺的摄影层内部:拉曼/ SERS分析的创新微量采样技术

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摘要

The Hasti Afunei sarcophagus is a large Etruscan urn, made up of two chalky alabaster monoliths. Dated from the last quarter of the third century BC, it was found in 1826 in the small town of Chiusi (Tuscany- Il Colle place) by a landowner, Pietro Bonci Casuccini, who made it part of his private collection. The noble owner’s collection was sold in 1865 to the Royal Museum of Palermo (today under the name of Antonino Salinas Regional Archaeological Museum), where it is still displayed. The sarcophagus is characterized by a complex iconography that is meticulously illustrated through an excellent sculptural technique, despite having subjected to anthropic degradation and numerous restorative actions during the last century. During the restoration campaign carried out between 2016 and 2017, a targeted diagnostic campaign was carried out to identify the constituent materials of the artefact, the pigments employed and the executive technique, in order to get an overall picture of conservation status and conservative criticalities. In particular, this last intervention has allowed the use of the innovative micro-sampling technique, patented by the Cultural Heritage research group of Sapienza, in order to identify the employee of lake pigments through SERS analyses. Together with this analysis, Raman and NMR technique have completed the information requested by restorers, for what concerns the wax employed as protective layers, and allowed to rebuild the conservation history of the sarcophagus. In fact, together with the identification of red ocher and yellow ocher, carbon black, Egyptian blue and madder lake, pigments compatible with the historical period of the work, modern pigments (probably green Paris, chrome orange, barium yellow, blue phtalocyanine) have been recognized, attributable with not documented intervention during the eighteenth and twentieth centuries.
机译:Hasti Afunei石棺是大型的伊特鲁里亚,由两个垩白的雪花石膏整体组成。它的历史可以追溯到公元前三世纪的最后一个季度,于1826年由地主彼得罗·邦奇·卡西奇尼(Pietro Bonci Casuccini)在丘西小镇(托斯卡纳-伊尔·科勒大学)发现。贵族的藏品于1865年卖给了巴勒莫皇家博物馆(今天以安东尼奥·萨利纳斯地区考古博物馆的名称命名),并在那里展出。石棺的特征是复杂的图像,通过上等的雕刻技术精心描绘,尽管在上个世纪经历了人类的退化和众多的修复作用。在2016年至2017年之间进行的修复运动中,进行了有针对性的诊断运动,以识别文物的构成材料,使用的色素和执行技术,以全面了解保护状况和保守性临界值。尤其是,最后一项干预措施允许使用由Sapienza文化遗产研究小组申请专利的创新型微采样技术,以便通过SERS分析识别出湖泊色素的雇员。连同此分析,拉曼和NMR技术已经完成了修复者要求的有关用作保护层的蜡的信息,并允许重建石棺的保存历史。实际上,连同红色o石和黄色o石,炭黑,埃及蓝色和madder湖的鉴定,与作品历史时期兼容的颜料,现代颜料(可能是绿色巴黎,铬橙,钡黄,蓝色酞菁)具有人们认识到,这归因于18世纪和20世纪期间没有记录在案的干预措施。

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