• 主题
高级搜索  >
历史搜索 清空历史
首页> 美国卫生研究院文献>SAGE Public Health Emergency Collection >Curating and Exhibiting for the Pandemic: Participatory Virtual Art Practices During the COVID-19 Outbreak in China
【2h】

Curating and Exhibiting for the Pandemic: Participatory Virtual Art Practices During the COVID-19 Outbreak in China

机译：策划和展示大流行：在中国Covid-19爆发期间参与式虚拟艺术实践

代理获取
本网站仅为用户提供外文OA文献查询和代理获取服务，本网站没有原文。下单后我们将采用程序或人工为您竭诚获取高质量的原文，但由于OA文献来源多样且变更频繁，仍可能出现获取不到、文献不完整或与标题不符等情况，如果获取不到我们将提供退款服务。请知悉。
页面导航
  • 摘要
  • 著录项
  • 相似文献
  • 相关主题

摘要

Since China’s lockdown of major cities in response to COVID-19, different forms of online participatory initiatives led by self-organizing groups of volunteers have greatly contributed to information circulation, patient admission support, and other aspects of coping with the pandemic. Although often overlooked by those studying online cultural production during the pandemic, a massive spontaneous and participatory creative outpouring of individual and collaborative artworks related to “fight the pandemic” are being published through platforms including Kuaishou, TikTok, and WeChat public accounts. This article argues that while these participatory online exhibitions published through WeChat opened up a temporary space of expression that both offset the lack of information and enabled alternative ways of understanding of and expression about the crisis, they were not only subject to pervasive state surveillance, but also co-optation by state media.

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
代理获取

客服邮箱：kefu@zhangqiaokeyan.com

京公网安备：11010802029741号 ICP备案号：京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有

  • 客服微信

  • 服务号