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首页> 美国卫生研究院文献>i-Perception >Is this a Fettecke or just a greasy corner? About the capability of laypersons to differentiate between art and non-art via objects originality
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Is this a Fettecke or just a greasy corner? About the capability of laypersons to differentiate between art and non-art via objects originality

机译：这是 Fettecke还是油腻角落？关于外行人通过对象的独创性区分艺术和非艺术的能力

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Which components are needed to identify an object as an artwork, particularly if it is contemporary art? A variety of factors determining aesthetic judgements have been identified, among them stimulus-related properties such as symmetry, complexity and style, but also person-centred as well as context-dependent variables. We were particularly interested in finding out whether laypersons are at all able to distinguish between pieces of fine art endorsed by museums and works not displayed by galleries and museums. We were also interested in analysing the variables responsible for distinguishing between different levels of artistic quality. We ask untrained (Exp.1) as well as art-trained (Exp.2) people to rate a pool of images comprising contemporary art plus unaccredited objects with regard to preference, originality, ambiguity, understanding and artistic quality. Originality and ambiguity proved to be the best predictor for artistic quality. As the concept of originality is tightly linked with innovativeness, a property known to be appreciated only by further, and deep, elaboration ( i-Perception, 2, 708–719), it makes sense that modern artworks might be cognitively qualified as being of high artistic quality but are meanwhile affectively devaluated or even rejected by typical laypersons—at least at first glance.
机译：将物体识别为艺术品需要哪些组件，特别是如果它是当代艺术？已经确定了决定美学判断的多种因素，其中包括与刺激有关的特性，例如对称性，复杂性和风格，但也包括以人为中心以及与上下文有关的变量。我们特别感兴趣的是找出外行人是否能够区分博物馆认可的美术作品和画廊和博物馆未展出的作品。我们也有兴趣分析负责区分不同艺术品质水平的变量。我们要求未受过训练的人（实验1）和受过艺术训练的人（实验2）对包括当代艺术以及未经认可的对象在内的图像库进行偏好，独创性，歧义性，理解力和艺术品质方面的评分。创意和模棱两可被证明是艺术品质的最佳预测指标。由于原创性的概念与创新性紧密相连，而创新性仅是通过进一步深入的研究才能体会到（i-Perception，2，708–719），因此现代艺术品可能在认知上被认为具有高质量的艺术作品，但同时又被典型的外行人情感上贬低甚至拒绝了，至少乍一看。

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