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Spatial Poetics Under Authoritarianism: Graffiti and the Contestation of Urban Redevelopment in Contemporary China

机译：威权主义下的空间诗学：涂鸦与当代中国城市重建争论

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AbstractThis article investigates the expression of resistance to urban redevelopment in the authoritarian context of contemporary China. Where conventional channels of public expression are closed, the very space of urban transformation becomes an important medium of contestation. Through the practice of “spatial poetics”, residents manipulate the taken‐for‐granted meanings attached to urban space, challenging the spatial codes that authorise redevelopment. Working across four spatial dimensions—territory, place, scale, and network—these poetic manipulations allow residents to de‐naturalise existing power structures, escape their effects, and re‐code space with alternative meanings. The article illustrates the practice of spatial poetics through an analysis of Ciqikou, a historic district of Chongqing undergoing redevelopment. Residents expressed their resistance to redevelopment by writing slogans on buildings slated for demolition. By emphasising relationships of scale, network, and place, residents’ graffiti challenged the territorial basis of the Chinese party‐state’s redevelopment project and revalorised the neighbourhood as worthy of preservation.
机译：摘要文章调查了当代中国的专制背景下对城市重建的表达。在封闭的公共表达渠道的情况下，城市转型的空间成为争论的重要媒介。通过“空间诗学”的实践，居民操纵所附被取得的含义，依赖于城市空间，挑战授权重建的空间规范。在四个空间尺寸 - 地区，地点，规模和网络 - 这些诗意的操作允许居民去公平地进行现有的电力结构，逃避它们的效果，并通过替代含义重新码空间。本文通过分析了重新开发的重庆历史悠久的地区Ciqikou的分析来说明空间诗学的做法。居民通过在被拆除的建筑物上写出口号表示他们对重建的抵抗力。通过强调规模，网络和地点的关系，居民的涂鸦挑战了中国党 - 党的重建项目的领土基础，并屡获令附下的邻居值得保存。

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