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首页> 外文期刊>Applied Acoustics >Effects of perceived singing effort on classical singers' reverberation time preferences towards music practice rooms
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Effects of perceived singing effort on classical singers' reverberation time preferences towards music practice rooms

机译：感知歌唱努力对古典歌手对音乐练习室混响时间偏好的影响

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摘要

The purpose of this study is to investigate the effect of perceived singing effort on classical singers' reverberation time preferences in individual music practice rooms. The method has combined objective measurements (RT) and perceptual responses of participants. The participant group [N = 30] has consisted of five different backgrounds in vocal studies; early music education (EME) students, skilled amateurs, undergraduate singing students, graduate singing students, and professionals. Classical singers has been asked to sing with as high and as low as they could with melisma singing style (in opera singing technique) in three different room settings which had following reverberation times; around 0.6 s, 0.8 s, and 1.0 s. These were the values, which acoustical standards for music schools recommended. The participants have also been asked to sing with three different singing volumes in each room setting. The findings have been analysed statistically. The results showed that classical singers have preferred the room setting with 0.8 s reverberation time considering their overall experience in these room settings. Classical singers' perceived singing effort had a statistically significant relationship with preferred room setting. Furthermore, it has been found that there is a relationship between preference and background in vocal studies.
机译：这项研究的目的是调查在个人音乐练习室中感知的歌唱努力对古典歌手混响时间偏好的影响。该方法结合了目标的客观测量（RT）和参与者的知觉响应。参加者组[N = 30]由五种不同的声乐研究背景组成。早期音乐教育（EME）学生，熟练的业余爱好者，歌唱本科生，歌唱研究生和专业人士。古典歌手被要求在三种不同的房间设置中，以最高的声音和最低的声音进行调律（在歌剧演唱技术中），并具有混响时间。大约0.6 s，0.8 s和1.0 s。这些是音乐学校的声学标准所推荐的值。参与者还被要求在每个房间设置三种不同的唱歌音量。对结果进行了统计分析。结果表明，考虑到他们在这些房间设置中的整体经验，古典歌手更喜欢房间设置混响时间为0.8 s。古典歌手的歌唱努力与偏好的房间设置在统计上有显着关系。此外，已经发现在声音研究中偏好与背景之间存在关系。

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