From The Editor

Peter Salhani

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机译：来自编辑

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Philip thalis started work on a 'short survey of open architectural competitions in Sydney' a year ago. In recent months it became something of an obsession, particularly as we approached the print deadline for this issue of AB, which focuses on competitions. Philip enlisted the aid of Chapter colleagues to help complete the list and their feedback has been encouraging, though the list is not exhaustive and new information is still emerging as we go to print. For this reason it will be available on the Chapter website for others to help fill in the blanks. (Next stop Australian architecture museum?). In this issue we publish part two of the survey, competitions in the post-Sydney Opera House years and we'll publish part one (pre-Opera House to 1858) in the next issue, along with Choi Ropiha's Times Square ticket booth: the competition-winning design that launched their Sydney practice.

机译：一年前，菲利普·塔利斯（Philip thalis）开始进行“悉尼开放式建筑竞赛的简短调查”。在最近几个月中，它变得令人着迷，尤其是在我们接近本期AB（以竞赛为主题）的印刷截止日期之前。菲利普（Philip）寻求分会同事的帮助来帮助完成这份清单，尽管清单并不详尽，而且在我们付印之时仍在出现新的信息，但他们的反馈令人鼓舞。因此，该章将在Chapter网站上供其他人使用，以帮助填补空白。（下一站澳大利亚建筑博物馆？）。在本期杂志中，我们发布调查的第二部分，即后悉尼歌剧院的比赛，在下期杂志中，我们将发布第一部分（歌剧院之前到1858年），以及崔·罗皮哈（Choi Ropiha）的时代广场售票亭：屡获殊荣的设计开始了他们在悉尼的实践。

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《Architecture Bulletin》 |2008年第novaadeca期|p.3|共1页
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Peter Salhani;
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