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首页> 外文期刊>Architecture >'Aptly, the platform to revive the manifesto is a biennial-both born around the turn of the century with a parallel urge to assert leadership in a fast- modernizing and globalizing world'
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'Aptly, the platform to revive the manifesto is a biennial-both born around the turn of the century with a parallel urge to assert leadership in a fast- modernizing and globalizing world'

机译:“合适的是,恢复宣言的平台是两年一次的,两者都诞生于世纪之交,同时强烈要求在快速现代化和全球化的世界中保持领导地位”

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摘要

In the world of architecture and design, manifestos have a pedigreed tradition, linking Futurists, Surrealists, the Bauhaus, Le Corbusier, CIAM, and Team Ⅹ, not to mention Victor Papnek, Robert Venturi, FAIA, Rem Koolhaas, Hon. FAIA, and Bruce Mau. Zoe Ryan, director of the second Istanbul Design Biennial, has cleverly resurrected the manifesto with "The Future Is Not What It Used To Be," a presentation of 53 projects culled from over 800 responses to an open call for ideas. The call asked for "manifestos (whether texts, actions, services, objects, or something else) that open up new attitudes and sensibilities, highlight underexplored or overlooked aspects of society, and prompt further investigation and exchange about our designed and constructed age."
机译:在建筑和设计世界中,宣言具有悠久的传统,将未来主义者,超现实主义者,包豪斯,勒·柯布西耶,CIAM和Team link联系在一起,更不用说Victor Papnek,Robert Venturi,FAIA,Rem Koolhaas和Hon。 FAIA和Bruce Mau。第二届伊斯坦布尔设计双年展的负责人佐伊·瑞安(Zoe Ryan)巧妙地用“未来不再是以前的样子”复活了宣言,该演讲由53个项目组成,从800多个响应中挑选出来,以公开征集思想。电话会议要求提供“宣言(无论是文字,行动,服务,物品还是其他东西),以揭示新的态度和敏感性,突出社会中尚未被探索或忽视的方面,并促使人们进一步调查和交流我们的设计和建造年龄。”

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  • 来源
    《Architecture》 |2015年第1期|93-949698-99|共5页
  • 作者

    Cathy Lang Ho;

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