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Publishing Pompeii: A Study in Cultural Censorships

机译:庞贝出版:文化审查研究

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The cities of Herculaneum and Pompeii were buried under lava-flows from Vesuvius in A.D. 79. More than one and a half millennia later, they began to be excavated: Herculaneum in 1738, Pompeii ten years on. The precision of this starting-date makes it possible to determine by what stages the buried treasure began to enrich the cultural repertoire of the European, and to see how that material's dissemination through printed word and image, and ultimately through painting and architecture, was inhibited by political, cultural, and moral forces. It can be seen as a bibliographical test-case, affording insights into how, when, and why information is published — or not published - and what mediums are used. I shall be examining how the Bourbon monarchy in Sicily used its monopoly over the antiquities as a tool of political power, discouraging all distribution of published information except that which it controlled; how contemporary aesthetic standards dictated what was preserved, causing many books to be called into being in order to record the rest of the information before it vanished; and how reception of archaeological evidence was often hindered by considerations of decency.
机译:赫库兰尼姆和庞贝城被埋在公元79年维苏威火山的熔岩流作用下。一个半个半世纪后,它们开始被挖掘:1738年的赫库兰尼姆,距今10年的庞贝城。该起始日期的精确性使得可以确定埋藏的宝藏开始经历什么阶段才能丰富欧洲的文化底蕴,并了解该材料如何通过印刷的文字和图像以及最终通过绘画和建筑来传播政治,文化和道德力量。可以将其视为书目测试用例,它提供了有关如何,何时以及为何发布信息(或不发布信息)以及使用何种媒体的见解。我将研究西西里的波旁王室君主制如何利用其对文物的垄断作为政治权力的工具,不鼓励所有发布信息的传播,但不受其控制。当代美学标准是如何决定保存的内容的,导致人们召集了许多书籍,以便在信息消失之前记录其余信息;以及如何通过礼节的考虑来阻碍考古证据的接收。

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