Buildings And The Loss Of Public Arts

Stanford Anderson

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Buildings And The Loss Of Public Arts

机译：建筑物与公共艺术的流失

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The first sentence of the Preface of The Judicious Eye reads: 'Painting and sculpture once counted with architecture as "visual arts'". This thought strikes one as strangely reversed: surely architecture, with its invitations to movement, sound, smell (not to mention numerous pragmatic, extra-sensory conditions), must be the art, not painting and sculpture, to have escaped the category of 'visual arts'. But with a historian and author of the stature of Joseph Rykwert, one should of course expect that he means what he says. And he does. Rykwert shows irritation with: those people who call themselves 'artists', ... a self-defined class of workers, fabricators of anything exhibited or that can be marketed as 'art', [and] describe themselves, with more or less justice, as fighting the forces of reaction, convention, banality. 'That avant-garde of the second half of the twentieth century was shown the way by Marcel Duchamp'.

机译：《明智之眼》序言的第一句话是：“绘画和雕塑曾经被视为建筑的“视觉艺术”。这种想法遭到了一个奇怪的逆转：建筑，必然带有运动，声音，气味（更不用说许多实用，超感官的条件了），必须是艺术，而不是绘画和雕塑，才能摆脱“视觉艺术'。但是，由于历史学家和约瑟夫·雷克韦特（Joseph Rykwert）的身高，作者当然应该期望他是他所说的。而且他做到了。瑞克韦特（Rykwert）激怒了以下人士：自称“艺术家”的那些人，......一个自定义的工人阶级，任何展出或可以作为“艺术品”销售的制造者，[或]或多或少地描述了自己，作为反动，常规，平庸的力量。 “二十世纪下半叶的前卫作品由马塞尔·杜尚（Marcel Duchamp）展示了出来”。

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《Building research & information》 |2009年第1期|p.110-113|共4页
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Stanford Anderson;
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Buildings And The Loss Of Public Arts

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