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Framing Sukkot: Tradition and Transformation in Jewish Vernacular Architecture

机译:框架Sukkot:犹太冬宫建筑中的传统和转型

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It is probably fair to say that when most architectural historians think of Tel Aviv, they think of the White City, that sparkling UNESCO World Heritage jewel that includes an urban plan by Patrick Geddes and approximately four thousand Bauhaus buildings designed by Jewish German emigre architects who fled Nazi Germany for British Mandate Palestine from the 1930s through the 1950s. Although that thought trajectory is more than justified on aesthetic grounds, Tel Aviv has other architectures and darker, alternative narratives of place that are every bit as important as its stories of sleek modernism. It is to one of what Israeli architect Sharon Rotbard has called "Black Cities" that Gabrielle Anna Ber-linger directs our attention in her recent ethnographic study of ritual dwellings, Framing Sukkot: The "Black Cities" of Tel Aviv are the place where socially and economically marginalized people, like working-class Mizrahi (non-European) Jews, temporary foreign workers, undocumented migrant workers, many of them from Africa, and, in Rotbard's narrative, Israeli Arabs, live. Berlinger settled in one such "second Israel" for sixteen months of fieldwork in 2010 and 2011. At the edge of Tel Aviv proper, the neighborhood of Shchunat Hatikva ("neighborhood of hope," colloquially known as Hatikva) offered Berlinger a rich field for the folkloristic study of the temporary ritual dwellings known as sukkot (singular sukkah). Built yearly for the holiday of Sukkot, which commemorates the forty-year journey of the Biblical Israelites through the Sinai desert, the little huts symbolize, among other things, the yearning for a permanent home and the impermanence of the material world. They are a very old building type for which there are three thousand years of documentary and material evidence.
机译:这可能是很公平的是,当大多数建筑历史学家认为Tel Aviv时,他们想到了这款白城,这闪闪发光的联合国教科文组织世界遗产珠宝,包括帕特里克Geddes的城市计划,约有四千个巨大的Bauhaus建筑物,由犹太德国Emigre建筑师设计从20世纪30年代到20世纪30年代,从20世纪30年代逃离纳粹德国为英国授权巴勒斯坦。虽然这一思想轨迹不仅仅是在审美理由上证明,但特拉维夫有其他架构和较暗的地方,替代叙述的地方,这些叙述是每一位作为其时尚现代主义的故事。它是一家以色列建筑沙龙罗宾德称为“黑色城市”,Gabrielle Anna Ber-Linger指导我们在她最近对仪式住宅的民族造影研究中的注意力,伪装Sukkot:特拉维夫的“黑色城市”是社会上的地方和经济上边缘化的人,像课堂级别的Mizrahi(非欧洲)犹太人,临时外国工人,无证的农民工,其中许多来自非洲,而且,在Rotbard的叙述中,以色列阿拉伯人,生活。 Berlinger在2010年和2011年在Tel Aviv的野外工作中定居了十六个月的“第二个以色列”。在特拉维夫的优势,Shuchunat Hatikva(“希望附近”,俗称Hatikva)为Berlinger提供了丰富的领域Sukkot(单数Sukkah)临时仪式住宅的民俗学研究。每年为假期为Sukkot,纪念圣经以色列人通过西奈沙漠纪念圣经以色列人的四十年之旅,其中小屋象征着常设家庭和物质世界的无常的渴望。它们是一个非常古老的建筑类型,有三千年的纪录片和物质证据。

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