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首页> 外文期刊>Buildings & landscapes >Bleacher Bugs and Fifty-Centers: The Social Stratification of Baseball Fans through Stadium Design, 1880-1920
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Bleacher Bugs and Fifty-Centers: The Social Stratification of Baseball Fans through Stadium Design, 1880-1920

机译：露珠虫和五十个中心：1880 - 1920年通过体育场设计的棒球风扇的社会分层

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摘要

Between 1860 and 1920, Americans grappled with the demographic and political changes of modernization. American baseball-team owners used furniture selection and arrangement to invite upper-and middle-class native-born white men and women to the center of spectatorship and to marginalize nonwhite, immigrant, and working-class fans. Owners installed a new type of seating, the opera chair, to tame rowdy male audiences and protect the bodies of white women who attended frequent ladies' days. In newspapers, owners and sportswriters stereotyped spectators by seating section. Fans embraced, and at times resisted, the status imposed upon them through stadium design. A close reading of the interior landscape recorded in newspaper descriptions and photographs reveals spaces divided into hierarchical groups designed to assuage the anxieties of bourgeois white audiences. Professional baseball teams invited all into communal spectatorship to watch the national game, but segregated fans in pursuit of profit.
机译：1860年至1920年，美国人讨厌现代化的人口统计和政治变迁。美国棒球 - 团队所有者使用家具选择和安排，邀请上下阶层本土出生的白人和妇女到宗教中心，并使非凡，移民和工人班迷以边缘化。业主安装了一种新型座位，歌剧院椅，驯服罗迪男性观众，并保护那些参加德时代的白人女性的尸体。在报纸，业主和运动员通过座位部分刻板观众。粉丝拥抱，有时抵制，通过体育场设计施加对它们的状态。在报纸描述和照片中录制的内部景观的密切阅读揭示了分类群体，旨在缓解资产阶级白众观众的焦虑。职业棒球队邀请全部进入公社展望，观看国家游戏，但追求利润的粉丝隔离。

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  • 来源
    《Buildings & landscapes》 |2021年第1期|5-29|共25页
  • 作者

    PJ CARLINO;

  • 作者单位

    In-dustrial Design and Design History at Parsons School of Design;

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  • 正文语种 eng
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