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Bare Geographies in Knowledge Societies - Creative Cities as Text and Piece of Art: Two Eyes, One Vision

机译:知识社会中的裸露地理-作为文字和艺术品的创意城市:两只眼睛,一只视野

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What roles do cities play in knowledge societies? Do places still matter? To what extent are knowledge production processes place-bound and city-specific? This paper examines some dimensions of the multiple relationships between physically experiencing and mentally constructing the city. Primarily, this is a conceptual exercise. Thus, I read part of the literature on cities and creativity through two different conceptual lenses: representational and non-representational theory. The first lens, which I will call the 'right eye', sees the world from the point of view of abstraction and representation. The second lens, which I refer to as the left eye', looks at the world from the perspective of the concrete, experience, and dwelling (i.e. non-representation). Both 'eyes' are helpful as theoretical perspectives to analyse the changing role of cities in the knowledge economy. Thus, I argue for a two-eyed, stereoscopic vision of cities in knowledge-based societies.
机译:城市在知识社会中扮演什么角色?地方仍然重要吗?知识生产过程在多大程度上受特定地区限制和特定于城市?本文考察了城市物理体验与心理建设之间多重关系的某些方面。首先,这是一个概念练习。因此,我通过两种不同的概念视角阅读了有关城市和创造力的部分文献:代表性理论和非代表性理论。我称之为“右眼”的第一个镜头是从抽象和表示的角度看待世界的。第二个镜头,我称为左眼,是从具体,经验和居住(即非代表)的角度来看世界。两只“眼睛”都有助于理论分析城市在知识经济中的角色变化。因此,我主张对知识型社会中的城市有两眼的立体印象。

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