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Cultural Production in Canada

机译：加拿大的文化生产

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As an increasing number of Canadian constituencies buy in to policies associated with the creative economy and the creative city, thereby binding culture and economy ever closer together, the need for scholarly interpretation and analysis of these related phenomena becomes more pressing. How are these neoliberal policies affecting the culture that Canadians make and consume? Are there characteristics of this economic shift particular to the way it is playing out in Canada? How does the production and circulation of culture in Canada knit Canadians into the "global flows and scales" (Boudreau, Keil, & Young, 2009, p. 17) that have become emblematic of the twenty-first century? The articles in this special issue-part of the growing field of cultural production studies-explore how shifting policies, structures, geographies, and experiences are being manifested in Canada. Together, the contributions provide a cross-section of current work about the effects of neoliberal strategies, such as the deregulation of markets and the de-unionization of industries, which have radically altered the landscape of cultural production in Canada. This production studies focus is part of a shift away from choosing either textual analysis or political economy, toward complex, multifaceted analyses eminently suited to analyzing art and culture as sites of negotiation between individuals and organizations conditioned by material structures and policy frameworks (Havens, Lotz, & Tinic, 2009).
机译：随着越来越多的加拿大选民加入与创意经济和创意城市相关的政策，从而使文化和经济之间的联系越来越紧密，对这些相关现象进行学术解释和分析的需求变得越来越紧迫。这些新自由主义政策如何影响加拿大人生产和消费的文化？这种经济转变是否具有加拿大特有的经济增长特点？加拿大文化的生产和流通如何使加拿大人融入已经成为二十一世纪象征的“全球流动和规模”（Boudreau，Keil和＆Young，2009年，第17页）？在这个特刊上，文章是文化生产研究不断发展的领域的一部分，探讨了加拿大如何体现变化的政策，结构，地域和经验。总之，这些贡献提供了有关新自由主义战略影响的当前工作的横断面，例如市场放松管制和行业去联合化，这些都从根本上改变了加拿大文化生产的面貌。这种生产研究的重点是从选择文本分析或政治经济学转向进行复杂的，多层面的分析的一部分，该分析非常适合于分析艺术和文化，因为这是受物质结构和政策框架约束的个人和组织之间的谈判场所（Havens，Lotz ，＆Tinic，2009）。

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