Comics Versus Art

Kenneth C. Werbin

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Comics Versus Art

机译：漫画与艺术

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Why is it that comics have been historically excluded from the art world and the domain of art history? Why have they begun, in the last decades, to enter into the institutions (galleries, museums, and auction houses) that have for so long ignored them? What are the roots of the vexed relationship between comics and art and the source of tensions between these worlds? With Comics versus Art, winner of the 2013 Gertrude Robinson Book Prize for the Canadian Communication Association, Bart Beaty sought to answer such questions and in turn has produced a richly textured cultural history of comics, tracing their tenuous relationship with the art world, mapping their struggle for legitimacy, and charting the future direction of what he theorizes as the "comics world."

机译：为什么漫画在历史上一直被排除在艺术界和艺术史之外？为什么在过去的几十年中，它们开始进入长期以来一直忽略它们的机构（画廊，博物馆和拍卖行）？漫画与艺术之间烦恼关系的根源是什么，这些世界之间的紧张关系是什么？巴特·贝蒂（Bart Beaty）凭借《漫画与艺术》（Comics vs Art）获得了2013年加拿大传播协会格特鲁德·罗宾逊图书奖的获得者，试图回答这些问题，从而产生了丰富的漫画文化历史，追溯了它们与艺术界的微弱关系，绘制了漫画为合法性而奋斗，并为他理论上称为“漫画世界”的未来指明了方向。

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《Canadian journal of communication》 |2013年第4期|676-678|共3页
作者
Kenneth C. Werbin;
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Wilfrid Laurier University, Brantford Campus;

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Comics Versus Art

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