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首页> 外文期刊>Canadian journal of communication >Between the Photograph and the Poem: A Dialogue on Poetic Practice with Roy Miki~1
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Between the Photograph and the Poem: A Dialogue on Poetic Practice with Roy Miki~1

机译：在照片和诗歌之间：与罗伊·米基（Roy Miki）〜1的诗歌实践对话

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摘要

"Between the Photograph and the Poem" explores the capacity of creative work to generate possibilities that elude the instrumental terms of dominant visual and discursive regimes, whether regimes of racialization, transationalism or commodi-fication. The interview focuses on the creative work of Roy Miki, who has received a Governor General Award for his poetry and has been named a member of the Order of Canada for his work in cultural politics. The interview explores Miki's changing relation to photographic imagery, especially with respect to his poetic work over the last several decades. With his experience as an activist in the Japanese Canadian movement for redress, along with the role he played in opening up literary studies and more generally the study of cultural formations in Canada to questions regarding the politics of race, Miki discusses how he has navigated spaces of erasure in language and visual regimes amidst expanding transnational commodification. McAllister and Miki constructed the resulting dialogue over a four-month period.2
机译：“在照片和诗歌之间”探讨了创造力产生可能性的可能性，而这些可能性则不包括主要的视觉和话语权制度的工具性术语，无论是种族化，跨民族主义或商品化制度。采访的重点是罗伊·米奇（Roy Miki）的创作，罗伊·米奇（Roy Miki）因其诗歌获得了总督奖，并因其在文化政治方面的工作而被任命为加拿大勋章。采访探讨了三木与摄影图像之间不断变化的关系，尤其是在过去几十年中他的诗歌创作方面。凭借在加拿大日本人争取运动中的积极活动者的经验，以及他在开放文学研究以及更广泛地研究加拿大的文化形态以应对种族政治问题方面所发挥的作用，三木讨论了他如何驾驭太空扩大跨国商品化过程中语言和视觉制度中的擦除问题。麦卡利斯特和三木在四个月的时间内完成了对话。2

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