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首页> 外文期刊>Children's Literature in Education >“Man for the Sword and for the Needle She”: Illustrations of Wendy's Role in J.M. Barrie's Peter and Wendy
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“Man for the Sword and for the Needle She”: Illustrations of Wendy's Role in J.M. Barrie's Peter and Wendy

机译：“剑与针的男人”：温迪在巴里（J.M. Barrie）的彼得和温迪中的角色插图

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摘要

A review of the illustrated editions of any text is likely to reveal differences as well as similarities, not only in terms of style and methods of production, but also in terms of the choices made by each illustrator. This article considers how the illustrators of J.M. Barrie's novel Peter and Wendy (1911) have responded to Wendy's role as mother, with particular emphasis on her skills as storyteller and needle-woman. Significantly, J.M. Barrie himself drew attention to these abilities with a design for a drop-curtain sampler for an early production of the play. A detailed comparison of three versions of the pivotal scene in which Wendy meets Peter for the first time and sews his shadow back on for him, reveals how Michael Foreman, Jan Ormerod and Paula Rego have produced quite different visual interpretations while remaining true to the text. The article also explores the possible significance of Barrie's own experiences of and views about parenting.
机译：对任何文本的插图版本进行审阅可能会发现差异和相似性，不仅在样式和制作方法方面，而且在每个插图画家的选择方面。本文考虑了巴里（J.M. Barrie）的小说《彼得与温迪（Peter and Wendy，1911）》的插画家如何回应温迪作为母亲的角色，并特别强调了她作为讲故事者和女针匠的技能。值得注意的是，巴里（J.M. Barrie）亲自设计了滴滴取样器，以尽早制作戏剧，从而引起了人们对这些功能的注意。温迪第一次见到彼得并为他缝上阴影的三个关键场景的详细比较，揭示了迈克尔·福尔曼，扬·奥梅罗德和宝拉·雷哥如何在产生真实视觉效果的同时又产生了截然不同的视觉解释。本文还探讨了Barrie自己的育儿经历和观点的可能意义。

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