Holding on to the Faith: Confessional Traditions and American Christianity. Edited by Douglas A. Sweeney and Charles Hambrick-Stowe. Lanham, Md.: University Press of America, 2008. vi + 202 pp. $29.95 paper

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Holding on to the Faith: Confessional Traditions and American Christianity. Edited by Douglas A. Sweeney and Charles Hambrick-Stowe. Lanham, Md.: University Press of America, 2008. vi + 202 pp. $29.95 paper

机译：坚持信仰：悔传统和美国基督教。由道格拉斯·A·斯威尼（Douglas A. Sweeney）和查尔斯·汉姆布里克·斯托（Charles Hambrick-Stowe）编辑。马里兰州兰厄姆市：美国大学出版社，2008. vi + 202 pp。$ 29.95纸

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act of visual consumption in the 1800s and on. Religious imagery became massnproduced, for the church as well as for the home. Morgan goes on to illustratenhow domestic spaces would become the focal point for displaying various typesnof religious images, by both Christians and Jews living in America. Morgannalso analyses how these images would impact the formation of the Americannnational “identity,” especially with the rise of motion pictures.nIn the third part of the book, Morgan focuses on the way images carry thenpower to shape public opinion. This section illustrates how religious figuresnused charisma to become popular celebrities, and how popular media createsn“heroic” characters through charisma for viewing audiences. To conclude thisnsection, Morgan focuses on how environment and nature position viewersnwithin the landscape. This section feels cursory, however, given Morgan’snanalysis in the first two sections. Nevertheless, the number of authorsncurrently concentrating on the authority of popular filmic images makes itnprudent that Morgan remains focused on the power these images have onnthe viewer. The conclusion of the book is left lacking, in that one feelsnthat there is no true resolution or map to understanding why culturalncreations of nature are religious. And yet, at the same time, Morgannclearly illustrates that the very act of looking can be, and often is, anreligious practice.

机译：1800年代及以后的视觉消费行为。宗教图像被大量生产，用于教堂和家庭。摩根继续说明居住在美国的基督徒和犹太人如何将家庭空间变成展示各种宗教形象的焦点。 Morgann还分析了这些图像将如何影响美国民族“身份”的形成，尤其是随着电影的兴起。n在本书的第三部分中，Morgan着重研究了图像承载当时塑造公众舆论的力量的方式。本节说明宗教人物如何吸引人格魅力成为受欢迎的名人，以及流行媒体如何通过人格魅力创造“英雄”人物来观看观众。作为本节的总结，Morgan着重于环境和自然如何在景观中定位观众。但是，考虑到前两节中Morgan的分析，本节感到有些粗略。然而，目前集中于流行电影影像权威性的作者人数使得摩根仍然专注于这些影像赋予观看者的力量。这本书的结论很缺乏，因为有人觉得没有真正的解决方案或地图可以理解为什么自然的文化创造是宗教性的。然而，与此同时，摩根（Morgann）清楚地表明，看待的行为可能而且经常是宗教行为。

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《Church History》 |2010年第4期|p.963-964|共2页
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Harvey Hill;
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Berry College;

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Holding on to the Faith: Confessional Traditions and American Christianity. Edited by Douglas A. Sweeney and Charles Hambrick-Stowe. Lanham, Md.: University Press of America, 2008. vi + 202 pp. $29.95 paper

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