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首页> 外文期刊>Cities >Financial artscapes: Damien Hirst, crisis and the City of London
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Financial artscapes: Damien Hirst, crisis and the City of London

机译：金融艺术：达明安·赫斯特，危机和伦敦金融城

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This paper explores the entanglement of art and finance over the last decade with a particular focus on the British artist Damien Hirst and the City of London. In so doing it seeks to use the current economic and fiscal crisis in the UK to rethink links between contemporary creative activities and the motivations and mechanisms of urban capitalist economies. The paper explores not only how the art world has aped many aspects of globalised high finance but also how a symbiotic relationship has developed between finance and art in conceptual innovations, promotional strategies and transnational flows of capital, people and ideas. Art and finance have greatly benefited from a shared role in the postindustrial reshaping of inner-city landscapes and a dominant political emphasis on unregulated market relations. The paper concludes by advocating not a romanticisation of new recessionary cultural activities and formations, but greater attempts to work against the mystification and unstinting celebration of market authority and easily commodified forms of artistic practice.
机译：本文探讨了过去十年来艺术与金融的纠缠，特别关注了英国艺术家达米安·赫斯特（Damien Hirst）和伦敦市。为此，它试图利用英国当前的经济和财政危机来重新考虑当代创意活动与城市资本主义经济的动机和机制之间的联系。本文不仅探讨了艺术世界如何在全球化的高级金融领域取得了进步，而且还探讨了金融与艺术之间在概念创新，促销策略以及资本，人员和思想的跨国流动方面如何共生。在后工业重塑内城景观中扮演着共同的角色，以及对不受管制的市场关系的主要政治强调，使艺术和金融受益匪浅。本文的结尾不是提倡新的衰退文化活动和形式的浪漫化，而是主张更大的尝试来对抗市场权威的神秘化和坚定的庆祝以及容易改变的艺术实践形式。

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