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Pushing The Envelope

机译:推信封

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The Seattle Central Library has its origins in an ambitious desire to re-create the entity we know as the library. When the Dutch architect Rem Koolhaas unveiled his schematic for the building, nearly four years ago, his expressed goal was "to redefine/reinvent the library as an institution no longer exclusively devoted to the book―as an information store, where all media, new and old, are presented under a regime of new equalities. In an age when information can be accessed anywhere, it is the simultaneity of all media and the professionalism of their presentation and interaction, that will make the library new." Rather than create one more library that would serve primarily as a repository of books―a place where reading areas and public spaces would inevitably be crowded out by an ever-increasing inventory of titles―Koolhaas conceived the Seattle Central Library as a series of independent but connected spaces that would house a variety of media―as a structure divided into efficient compartments dedicated to and equipped for particular functions.
机译:西雅图中央图书馆起源于一个雄心勃勃的愿望,那就是重新创建我们称为图书馆的实体。当荷兰建筑师雷姆·库哈斯(Rem Koolhaas)在将近四年前公布其建筑示意图时,他的明确目标是“重新定义/重新定义图书馆,使之不再是专门致力于这本书的机构,它是一个信息商店,所有媒体,在古老而古老的环境下,人们可以在新的平等机制下进行展示。在一个可以随时随地访问信息的时代,正是所有媒体的同步性以及其展示和互动的专业精神才能使图书馆焕然一新。”库哈斯并没有创建一个主要用作书籍存储库的图书馆(在该地方阅览区和公共空间将不可避免地被越来越多的书名挤占,而是将西雅图中央图书馆视为一系列独立但连通的空间可以容纳各种媒体-结构分为有效的隔间,专用于特殊功能并配备有特殊功能。

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