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Revisiting cyberfeminism

机译：重新审视网络女权主义

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In the early 1990s, cyberfeminism surfaced as an arena for critical analyses of the inter-connections of gender and new technology — especially so in the context of the internet, which was then emerging as something of a "mass-medium". Scholars, activists and artists interested in media technology and its gendered underpinnings formed networks and groups. Consequently, they attached altering sets of meaning to the term cyberfeminism that ranged in their take on, and identifications with feminism. Cyberfemi-nist activities began to fade in the early 2000s and the term has since been used by some as synonymous with feminist studies of new media — yet much is also lost in such a conflation. This article investigates the histories of cyberfeminism from two interconnecting perspectives. First, it addresses the meanings of the prefix "cyber" in cyberfeminism. Second, it asks what kinds of critical and analytical positions cyberfeminist networks, events, projects and publications have entailed. Through these two perspectives, the article addresses the appeal and attraction of cyberfeminism and poses some tentative explanations for its appeal fading and for cyberfeminist activities being channelled into other networks and practiced under different names.
机译：在1990年代初期，网络女权主义作为对性别与新技术的相互关系进行批判性分析的舞台而出现-尤其是在互联网的背景下，互联网正逐渐成为一种“大众媒介”。对媒体技术及其性别基础感兴趣的学者，活动家和艺术家组成了网络和团体。因此，他们对网络女权主义一词的理解和对女权主义的认同范围各不相同。网络女性主义活动在2000年代初开始逐渐消失，自此以来，这个词已被某些人用作对新媒体的女权主义研究的代名词-然而，在这种混合中也失去了很多东西。本文从两个相互联系的角度研究了网络女性主义的历史。首先，它解决了网络女性主义中前缀“网络”的含义。其次，它询问网络女权主义网络，事件，项目和出版物所承担的关键和分析立场。通过这两种观点，本文论述了网络女权主义的吸引力和吸引力，并就其吸引力的衰落以及网络女权主义活动被引入其他网络并以不同名称进行实践提出了一些初步的解释。

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