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A semi-public diasporic space: Turkish film screenings in Belgium

机译：半公开的散居空间：比利时的土耳其电影放映

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摘要

This article presents an analysis of Turkish film screenings in Belgium as a case study of diasporic media practices in Europe. Turkish blockbusters have only recently become part of the programs of Belgian mainstream film theaters. This study provides insight into both historical and recent dynamics that characterize this new film and audience segment in film exhibition. After analyzing transnational patterns of distribution, selection and promotion (in Belgium and in Europe), we put forward that changing circulation patterns and the associated power relations (co-) define the social and spatial conditions of reception, resulting in the creation of new semi-public diasporic spaces. Thus, the links between the political economy of media and audience research are discussed. The findings of this article are based on archival and press research and a series of semi-structured expert interviews with exhibition and distribution professionals, as well as social workers and representatives from Turkish cultural associations.
机译：本文对比利时的土耳其电影放映进行了分析，以此作为欧洲流散媒体实践的案例研究。土耳其大片直到最近才成为比利时主流电影院节目的一部分。这项研究提供了对历史和近期动态的洞察力，这些动态和特征是这种新电影和电影放映中观众群体的特征。在分析了跨国分布，选择和促进的模式（在比利时和欧洲）后，我们提出不断变化的流通模式和相关的权力关系（co-）定义了接收的社会和空间条件，从而产生了新的半价-公共流放空间。因此，讨论了媒体政治经济学与受众研究之间的联系。本文的研究结果基于档案和新闻研究以及对展览和发行专业人士以及社会工作者和土耳其文化协会代表的一系列半结构性专家访谈。

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