The stereo team starts laying out their cameras at the same time as the layout artists create the initial camera moves. "As soon as layout completes a sequence, we create the left eye," says Dan Abramovich, lead stereoscopic technical director. "We have special tools all across the pipeline-proprietary software for the camera and how it interacts with the renderer, tools for setting up the camera and controlling the variables, sequence-based tools, viewing tools, rendering tools. We're able to view stereo imagery all the way from [Autodesk's] Maya to [The Foundry's] Nuke."
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