Listen to the visual effects crew at Sony Pictures Imageworks who worked on Disney's Alice in Wonderland describe postproduc-tion for this film, and you'd think director Tim Burton had dropped them down a rabbit hole, too. "I like doing something different, and this film begged to use bizarre techniques that we haven't done before," says Imageworks' senior visual effects supervisor Ken Ralston, who counts an Oscar for the pioneering film Who Framed Roger Rabbit among the five he has won for best visual effects. "Everyone was not normal," says Carey Villegas, referring to the live-action characters in the film. "We scaled or manipulated everyone in some way."
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