Independent filmmaker Edward B. Sherman knew exactly what kinds of special effects he needed for "Saturday Night at Madame Wing's," the third installment in his trilogy, Full Moon Fables. In order to express the central themes of the films—the relationships between the past and the present, and between reality and imagination—the actors and characters from the first two segments also would appear in the third. However, there was a catch: The second film in the trilogy, "The Studio," had been shot in black and white, whereas the first, "State of the Artist," as well as the third, "Madame Wing's," were shot in color. Yet, Sherman wanted the characters from "The Studio" to appear as their black-and-white selves against color backgrounds, and alongside color characters, in "Madame Wing's."
展开▼
机译：独立电影制片人爱德华·B·谢尔曼（Edward B. Sherman）确切地知道，他的三部曲《满月寓言》中的第三部作品《翼夫人之夜》需要哪些特殊效果。为了表达电影的中心主题，即过去与现在之间以及现实与想象之间的关系，前两个部分的演员和角色也将出现在第三部分。但是，有一个陷阱：三部曲中的第二部电影“工作室”是黑白拍摄的，而第一部“艺术家的境界”和第三部“夫人之翼”都是彩色拍摄。但是，谢尔曼希望“工作室”中的角色以黑白自我形式出现在彩色背景下，并与彩色角色一起出现在“夫人之翼”中。
展开▼
