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The user experience of mobile music making: An ethnographic exploration of music production and performance in practice

机译:移动音乐制作的用户体验:在实践中对音乐制作和演奏的民族志探索

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摘要

The research herein describes the investigation of usability of software and hardware tools for musicians. Through an ethnographic approach, the aim is to broaden the scope of investigation and measure the usability of tools for musicians in a real world setting. Six musicians are observed through the planning and preparation stages, rehearsals, performing and post-performance in order to better understand the tools that they use and how these tools could be improved. This work builds on previous investigations into more traditional production environments. This investigation also explores how requirements and tools have changed. The research highlights main areas of usability problems in navigation, clarity of expression, problems in understanding flow and a mismatch between requirements and software tools that currently exist. The results highlight strengths in the flexibility of such systems and identify where they solve traditional, hardware based problems. The paper culminates in a discussion regarding the values, strengths and weaknesses of hard and soft tools and points to potential future directions of research. (C) 2017 Elsevier Ltd. All rights reserved.
机译:本文的研究描述了针对音乐家的软件和硬件工具的可用性的调查。通过人种志方法,目的是扩大调查范围,并在现实世界中评估音乐家使用的工具的可用性。在计划和准备阶段,彩排,表演和后期表演中会观察到六位音乐家,以便更好地了解他们使用的工具以及如何改进这些工具。这项工作建立在先前对更传统的生产环境的调查基础上。该调查还探讨了需求和工具的变化。该研究突出了导航方面的可用性问题,表达的清晰性,理解流程的问题以及需求与当前存在的软件工具之间的不匹配等主要领域。结果突出了此类系统灵活性的优势,并确定了它们在哪里解决了传统的,基于硬件的问题。本文最终讨论了硬工具和软工具的价值,优点和缺点,并指出了潜在的未来研究方向。 (C)2017 Elsevier Ltd.保留所有权利。

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