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Consuming the “world”: reflexivity, aesthetics, and authenticity at Disney World’s EPCOT Center

机译：在迪士尼世界的EPCOT中心消费“世界”：反身性，美学和真实性

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The postmodern marketplace has been marked by the increasing popularity of the past and a contemporary quest for history that are celebrated through consumption. This trend points to the recurring motivational theme of escape from the perceived fragmentation, instability, and inauthenticity of postmodern life. This theme of escape subsequently leads to a search for an “authentic” world of the past. In the process of constructing this “authentic” past, producers of themed attractions, as well as scholars of tourism and consumer research, have begun to recognize the important role of aesthetics. However, much of our understanding about aesthetics and authenticity as they relate to each other, as well as the role their relationship plays in the consumption of themed attractions, remains unexplored. It is also true that there is a relative paucity of consumer research that examines the specific role of aesthetics as it impacts and shapes experiential forms of consumption. Through a reflexive account, the authors explore the role and importance of aesthetics, broadly defined, in the social construction of an “authentic” past at Disney World’s EPCOT World Showcase. The authors find that the aesthetic details found in the historicized and sanitized hyperreality of the experience are central to the construction of an “authentic” world of the past.View full textDownload full textKeywordsaesthetic consumption, cultural authenticity, hyperreality, researcher reflexivity, Disney World’s EPCOT World Showcase, experiential consumptionRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/10253866.2011.562019
机译：后现代市场的标志是过去的日益流行和当代对历史的追求，这些历史通过消费来庆祝。这种趋势表明，人们摆脱了后现代生活的支离破碎，不稳定和不真实感，从而反复出现了动机主题。逃脱的主题随后导致寻找过去的“真实”世界。在构建“真实的”过去的过程中，主题景点的生产者以及旅游和消费者研究的学者已经开始认识到美学的重要作用。但是，我们对美学和真实性之间相互联系的许多理解，以及它们之间的关系在主题景点消费中所起的作用，仍未被探索。的确，相对而言，消费者研究很少，因为美学会影响和塑造体验式的消费形式，因此会检验美学的特定作用。通过反思，作者探索了广泛定义的美学在迪士尼世界EPCOT世界展示会上“真实的”社会建构中的作用和重要性。作者发现，在经过历史化和消毒处理的超现实主义体验中发现的美学细节对于构建“真实”的过去世界至关重要。查看全文下载全文关键词审美消费，文化真实性，超现实主义，研究者反思，迪士尼世界的EPCOT世界展示，体验性消费相关var addthis_config = {ui_cobrand：“泰勒和弗朗西斯在线”，servicescompact：“ citeulike，netvibes，twitter，technorati，delicious，linkedin，facebook，stumbleupon，digg，google，更多”， pubid：“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/10253866.2011.562019

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