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Engineering great moments: The production of live music

机译：工程上的精彩时刻：现场音乐的制作

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The paper investigates the people who organize live music concerts: promoters. In contrast to recent contributions analysing the production of music, I argue that the work done by promoters must be analysed separately from the co-production of live music. Drawing on interviews with promoters in the UK, I show how promoters invest aesthetic values into their live music products to attract “like-minded” people and “engineer great moments” for audiences. I also show that promoters do more than create spaces for aesthetic experiences. Much of their work involves accounting for their audience's aesthetic consumption. I argue, then, that we must recognize that cultural producers both invest aesthetic values into their products and use their everyday interactions with consumers to evaluate the extent to which their products have released those aesthetic values.
机译：本文调查了组织现场音乐演唱会的人们：促进者。与最近对音乐制作进行分析的贡献相反，我认为，必须与推广现场音乐的共同制作分开分析发起人所做的工作。通过对英国推广者的采访，我展示了推广者如何在他们的现场音乐产品中投资审美价值，以吸引“志同道合”的人和“精心设计的精彩时刻”。我还表明，推动者所做的不仅仅是为审美体验创造空间。他们的许多工作都涉及对听众的审美消费进行核算。因此，我认为，我们必须认识到，文化生产者既要在其产品中投入审美价值，又要利用他们与消费者的日常互动来评估其产品释放这些审美价值的程度。

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