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首页> 外文期刊>Critique: Studies in Contemporary Fiction >Fab(e)ricating Tales: On Homo Faber, a Novel by Max Frisch and a Movie by Volker Schlà ndorff
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Fab(e)ricating Tales: On Homo Faber, a Novel by Max Frisch and a Movie by Volker Schlà ndorff

机译：Fab（e）讲故事：On Homo Faber，Max Frisch的小说和VolkerSchlöndorff的电影

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摘要

This article concentrates on the novel Homo Faber (1957) by Max Frisch (1911-91), and the movie Homo Faber, also entitled Voyager, filmed in 1990 by German director Volker Schlöndorff (b. 1939). In spite of some considerable interventions in regard to the novel, the movie followed the text too closely and did not use the material in a playful, innovative way. This article goes back to the novel to show that such an error was inherent in the text, that is, that the critical distance of Frisch's reading of the archetype lies in the narrative technique he used. As this technique is either not fully applicable to the visual medium or creates a different effect on the screen, the movie missed the subversive potential of the novel.View full textDownload full textKeywordsFrisch, Schlöndorff, Homo Faber , OedipusRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/00111619.2012.623469
机译：本文着重讨论Max Frisch（1911-91）的小说Homo Faber（1957）和德国导演VolkerSchlöndorff（b。1939年生）在1990年拍摄的电影Homo Faber，也称Voyager。尽管对小说进行了很多干预，但电影还是太紧跟文本，并且没有以有趣，新颖的方式使用材料。本文回到小说中来，表明这种错误是文本所固有的，也就是说，弗里施对原型的解读的关键距离在于他所使用的叙事技巧。由于此技术不能完全适用于视觉媒体或在屏幕上产生不同的效果，因此电影错过了小说的颠覆性潜力。查看全文下载全文关键字弗里施，施伦多夫，霍姆·法伯，俄狄浦斯相关的var addthis_config = {ui_cobrand ：“ Taylor＆Francis Online”，services_compact：“ citeulike，netvibes，twitter，technorati，delicious，linkedin，facebook，stumbleupon，digg，google，more”，pubid：“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/00111619.2012.623469

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