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首页> 外文期刊>Critique: Studies in Contemporary Fiction >Resisting the Devouring Neon: Hysterical Crowds and Self-Abnegating Art in Don DeLillo's Great Jones Street
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Resisting the Devouring Neon: Hysterical Crowds and Self-Abnegating Art in Don DeLillo's Great Jones Street

机译：抵制吞噬的霓虹灯：唐·德利洛的大琼斯街上的歇斯底里的人群和自我贬低的艺术

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Most scholarship on Great Jones Street (1973) has considered Don DeLillo's rock star protagonist Bucky Wunderlick as a thwarted artist figure or as a powerless cog in a huge media-industrial machine. This article argues instead that DeLillo locates considerable power in Bucky's audience. While the hysterical crowds that drive Bucky to seclusion seem at first to cause all of the celebrity's troubles, Bucky later tries to engage with his audiences in more positive ways, eventually seeing them as offering more potential solutions than problems.View full textDownload full textKeywordsDon DeLillo, Great Jones Street , celebrity, audienceRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/00111610903567420
机译：大多数关于大琼斯街（1973）的奖学金都认为唐·德利洛（Don DeLillo）的摇滚明星主角巴基·温德利克（Bucky Wunderlick）是受挫的艺术家人物，或者是巨大的媒体工业机器中无能为力的齿轮。相反，本文认为DeLillo在Bucky的听众中拥有相当大的力量。虽然促使巴基隐居的歇斯底里的人群起初似乎引起了所有名人的麻烦，但巴基后来尝试以更积极的方式与观众互动，最终将他们视为提供了比问题更多的潜在解决方案。查看全文，大琼斯街（Great Jones Street），名人，观众ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/00111610903567420

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