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System Theory and Art: Micro-Diversity and Self-Organisation

机译：系统理论与艺术：微多样性和自组织

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This paper makes a renewed contribution to system theoretical thinking within the context of Niklas Luhmann's theory. The paper suggests that in Luhmann's late writings, he made a range of interesting and stimulating remarks about more recent developments on self-organising processes that are inspired by evolutionary economics. He proposes that these ideas can provide an understanding of meaning-making in the arts that overcomes older approaches that relied on a very mechanical understanding of self-organisation. The paper will show that the idea of micro-diversity and self-organisation provides a new framework that enables us to understand the emergence of singular and unique artworks and the differentiation of self-defined arts in the 18th and 19th centuries. Furthermore, the paper will show, that the distinction between micro-diversity and self-organisation provides a framework integrating a range of empirical phenomena, for instance, the rise of emotions, intentions, expression and practices, but also the development of art events (festivals, fairs, exhibitions), art capitals (from 19th century Paris to contemporary Berlin) and art networks (movements, narratives and art about art). Finally, these theoretical considerations enable us to overcome the problematic distinction of micro- versus macro structures by accepting the circular process of meaning-making based on micro-diversity and self-organisation.
机译：本文在尼克拉斯·卢赫曼理论的背景下对系统理论思想进行了重新贡献。本文表明，在卢文曼的延迟作品中，他对自组织流程的更新发展进行了一系列有趣和刺激的言论，这些进程是由进化经济学启发的。他提出这些想法可以了解对艺术的意义，克服了依赖于对自我组织的非常机械理解的旧方法。本文将表明，微多样性和自组织的想法提供了一种新的框架，使我们能够了解奇异和独特的艺术品的出现以及18世纪和19世纪的自我定义艺术的差异。此外，本文将显示，微多多样性和自组织之间的区别提供了一系列经验现象的框架，例如，情绪，意图，表达和实践的兴起，也是艺术活动的发展（节日，展览，展览），艺术首都（从19世纪巴黎到当代柏林）和艺术网络（动作，叙事和艺术艺术）。最后，这些理论考虑使我们能够通过接受基于微多样性和自我组织的循环过程来克服微量宏观结构的问题区别。

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