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Narratives of the Literary Island: European Poetics of the Social System after 1945

机译:文学岛的叙事:1945年后的欧洲社会制度诗学

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In European post-war literature, the topos of the island takes centre stage, as the insular space often narrates a micro-scale society and the reconstruction of its social system. Isolation, semantically derived from "island", characterises a European society radically transformed by the traumatic violence of the twentieth century. In this context, Robinson Crusoe — the "rational adult white man" — is recreated and reinvented in a multitude of new meanings, newly significant for understanding a transformed (and in-transformation) European society: he is cruel, he is afraid, he is a child, he is a woman, he is alone among others. The hypothesis of this paper is that the interest in and updating of Robinson Crusoe’s story transform this narrative into a literary myth, invested via intertextual and palimpsestic approaches with “a programme of truth” (Veyne 1983) that reveals a continuous interest in an alternative social system, which is in-the-making, historically, socially, psychologically, geopolitically, and so on. The literary post-war island narratives considered here, The Magus (1965) by John Fowles and Friday, or, the Other Island (1967) by Michel Tournier, highlight the process of the rewriting and rescaling of European history, as well as the essential need for human values in the creation of a society that has economics at its core.
机译:在欧洲战后文学中,该岛的主题占据了中心位置,因为岛屿空间经​​常叙述着一个微型社会及其社会体系的重建。隔离语从“岛屿”的语义衍生而来,代表了一个被二十世纪创伤性暴力彻底改变的欧洲社会。在这种情况下,鲁滨逊·克鲁索(Robinson Crusoe)(“理性的成年白人”)以多种新含义被重新创造,对于理解一个转型的(和正在转型的)欧洲社会具有重要意义:他很残酷,他害怕,他是一个孩子,他是一个女人,他是一个人。本文的假设是,对鲁滨逊·克鲁索的故事的兴趣和更新,将这种叙事转化为文学神话,通过互文和淡淡的方法与“真理的程序”(Veyne 1983)一起投入,揭示了人们对替代社会的持续兴趣。系统,它在历史,社会,心理,地缘政治等方面都在不断发展。约翰·福尔斯(John Fowles)和星期五(Friday)所考虑的战后岛屿文学叙事,或米歇尔·图尼尔(Michel Tournier)所著的《其他岛屿》(Other Island,1967),都着重介绍了欧洲历史的改写和重新调整的过程,以及其中的基本内容在建立以经济为核心的社会中,需要人类价值观。

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