AbstractPrevious research has shown that while TV fiction is coloured with narrative appeals, themes of love and binary opposition (good versus evil, love versus hate and rich against poor), TV producers continue to tailor their products to match audience’s pleasure. Such formula may be clichéd, but in the world where news of war, terrorism, diseases and conflicts often make the headlines, respite from harsh realities of life can often be found through studying TV fiction. Drawing from theory of cultural hybridity, this article explores how youth relate to three popular Malay TV fiction, On Dhia, Julia and Adam & Hawa through interviews and personal narratives. Their voices have shown forms of rediscovery of the Malay ‘local,’ providing glimpses into what it means to rediscover Malay local fragments in times of global risks and chaos, oscillating between a wide array of social and cultural uncertainties that continue to unfold for imagination.
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机译：摘要以前的研究表明，尽管电视小说的叙事魅力，爱情和二元对立主题（善与恶，爱与恨，富人与穷人）充满色彩，但电视制片人仍在不断调整产品以适应观众的愉悦。这样的公式可能有些陈词滥调，但在战争，恐怖主义，疾病和冲突的新闻经常成为头条新闻的世界中，经常可以通过研究电视小说来发现生活在严酷现实中的喘息之机。本文从文化杂交理论的角度出发，通过访谈和个人叙事，探讨了青年如何与马来三部受欢迎的电视小说《 On Dhia》，Julia和《 Adam＆Hawa》有关。他们的声音显示出重新发现马来人“本地人”的形式，使人们瞥见了在全球风险和混乱时期重新发现马来人本地人的碎片的含义，在各种各样的社会和文化不确定性之间徘徊，这些不确定性继续为想像中展现。
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